110 of the world’s top cinematographers discuss the art of how and why films look the way they do. Cinematographer Style is about the Art and Craft of Cinematography. It is about how everything, from life experiences to technology, influences and shapes an individual’s visual style. Because of the powerful impact that the visual style of a movie can have, this documentary may offer contemporaries valuable insights into the dramatic choices Cinematographers make. And, it is expected that the material will have significant historic value as well.
Roger Deakins in Cinematographer Style: “Lenses are really important to me,” says Roger Deakins, after which we get an in-depth discussion on working with the Coen Brothers and how to shoot with the audience in mind. A great conversationalist, how can one not listen to this man speak about film?
Roger Deakins talks with BSC President John de Borman after a screening of The Shawshank Redemption in London’s Apollo cinema.
Roger Deakins on Skyfall with Alexa Studio. IBC Issue 50-51 Sept 2012: Issue 50-51 IBC. Limited Time Free Download (9MB PDF).
Roger Deakins (The Shawshank Redemption, No Country for Old Men) is arguably one of the greatest cinematographers of the last 20-30 years (if not one of the greatest all-time). His work is timeless in a way that is hard to describe, but much of it comes from his ability to paint with light. Deakins had shot all of his work on film up until Andrew Niccol’s In Time, which he lensed on a prototype Arri Alexa. We covered back in February of 2011 an interview with Deakins where he stated that “film had a good run” and that he wasn’t sure if he would ever shoot film again. Now he’s taken on a much larger project with the camera, the new James Bond film Skyfall, directed by Sam Mendes. Mr. Deakins recently sat down with Franz Kraus, the Managing Director of Arri AG at this year’s IBC trade show.