Tied to the movie’s 35th anniversary, Jaws: The Inside Story provides an exhaustive look at the summer blockbuster that turned Steven Spielberg into a brand name and rewrote the rules for summer movies. Drawn in part from an earlier doc, The Shark Is Still Working, as well as fresh interviews, it’s a fascinating account that could easily have had a few bites taken out of its two hours in the editing suite without losing much. Even so, fans will find much to feast upon, hearing from cast and crew in addition to inhaling rare clips from the difficult, five-month production.
Spielberg reveals the definitive word on the JAWS USS Indianapolis speech:
I owe three people a lot for this speech. You’ve heard all this, but you’ve probably never heard it from me. There’s a lot of apocryphal reporting about who did what on Jaws and I’ve heard it for the last three decades, but the fact is the speech was conceived by Howard Sackler, who was an uncredited writer, didn’t want a credit and didn’t arbitrate for one, but he’s the guy that broke the back of the script before we ever got to Martha’s Vineyard to shoot the movie. I hired later Carl Gottlieb to come onto the island, who was a friend of mine, to punch up the script, but Howard conceived of the Indianapolis speech. I had never heard of the Indianapolis before Howard, who wrote the script at the Bel Air Hotel and I was with him a couple times a week reading pages and discussing them. Howard one day said, “Quint needs some motivation to show all of us what made him the way he is and I think it’s this Indianapolis incident.”
I said, “Howard, what’s that?” And he explained the whole incident of the Indianapolis and the Atomic Bomb being delivered and on its way back it was sunk by a submarine and sharks surrounded the helpless sailors who had been cast adrift and it was just a horrendous piece of World War II history. Howard didn’t write a long speech, he probably wrote about three-quarters of a page. But then, when I showed the script to my friend John Milius, John said “Can I take a crack at this speech?” and John wrote a 10 page monologue, that was absolutely brilliant, but out-sized for the Jaws I was making! (laughs) But it was brilliant and then Robert Shaw took the speech and Robert did the cut down. Robert himself was a fine writer, who had written the play The Man in the Glass Booth. Robert took a crack at the speech and he brought it down to five pages. So, that was sort of the evolution just of that speech. —Steven Spielberg
Screenwriter Carl Gottlieb.
Background story: Ingmar Bergman and the shark from Jaws by John Bryson, 1975
Source: aphelis.net
This is what I am looking to get animated. Beyond my skills unfortunately! #Jaws #Inside Jaws. Any offer appreciated. twitter.com/jamieswb/statu…
— Jamie Benning (@jamieswb) January 22, 2013
This is THE original clapperboard that Steven Spielberg is holding in this now famous photo of the behind scenes of the movie, the first summer blockbuster, Jaws.
An original pencil rendering of the iconic Jaws poster image, sketched by the poster artist himself, Roger Kastel.
The illustrated storyboards reproduced from Joe Alves personnal file. Joe Alves has also illustrated the storyboard by hand with an image of a Great White Shark.
Jaws
Hooper: You were on the Indianapolis?
Brody: What happened?
Quint: Japanese submarine slammed two torpedoes into our side, chief. It was comin’ back, from the island of Tinian Delady, just delivered the bomb. The Hiroshima bomb. Eleven hundred men went into the water. Vessel went down in twelve minutes. Didn’t see the first shark for about a half an hour. Tiger. Thirteen footer. You know, you know that when you’re in the water, chief? You tell by lookin’ from the dorsal to the tail. Well, we didn’t know. `Cause our bomb mission had been so secret, no distress signal had been sent. Huh huh. They didn’t even list us overdue for a week. Very first light, chief. The sharks come cruisin’. So we formed ourselves into tight groups. You know it’s… kinda like `ol squares in battle like a, you see on a calendar, like the battle of Waterloo. And the idea was, the shark would go for nearest man and then he’d start poundin’ and hollerin’ and screamin’ and sometimes the shark would go away. Sometimes he wouldn’t go away. Sometimes that shark, he looks right into you. Right into your eyes. You know the thing about a shark, he’s got… lifeless eyes, black eyes, like a doll’s eye. When he comes at ya, doesn’t seem to be livin’. Until he bites ya and those black eyes roll over white. And then, ah then you hear that terrible high pitch screamin’ and the ocean turns red and spite of all the poundin’ and the hollerin’ they all come in and rip you to pieces. Y’know by the end of that first dawn, lost a hundred men! I don’t know how many sharks, maybe a thousand! I don’t know how many men, they averaged six an hour. On Thursday mornin’ chief, I bumped into a friend of mine, Herbie Robinson from Cleveland. Baseball player, boson’s mate. I thought he was asleep, reached over to wake him up. Bobbed up and down in the water, just like a kinda top. Up ended. Well… he’d been bitten in half below the waist. Noon the fifth day, Mr. Hooper, a Lockheed Ventura saw us, he swung in low and he saw us. He’d a young pilot, a lot younger than Mr. Hooper, anyway he saw us and come in low. And three hours later a big fat PBY comes down and start to pick us up. You know that was the time I was most frightened? Waitin’ for my turn. I’ll never put on a lifejacket again. So, eleven hundred men went in the water, three hundred and sixteen men come out, the sharks took the rest, June the 29, 1945. Anyway, we delivered the bomb.
Tied to the movie’s 35th anniversary, “Jaws: The Inside Story” provides an exhaustive look at the summer blockbuster that turned Steven Spielberg into a brand name and rewrote the rules for summer movies. Drawn in part from an earlier doc, “The Shark Is Still Working,” as well as fresh interviews, it’s a fascinating account that could easily have had a few bites taken out of its two hours in the editing suite without losing much. Even so, fans will find much to feast upon, hearing from cast and crew in addition to inhaling rare clips from the difficult, five-month production.
DP/30: Jaws Blu-ray, screenwriter Carl Gottlieb.
Source: yourprops.com
Robert Shaw relaxes between takes on set of Jaws (1975)
Titan Books is known for their attractive, film-savvy titles, which is why it’s exciting news that the publisher has released an expanded second edition of Jaws: Memories from Martha’s Vineyard. The release is perfectly timed to Universal’s 100th anniversary Blu-ray that hit stores last month. Fans of the 1975 film — about a massive great white shark who terrorizes beachgoers on a resort island — should be thrilled for more rare, never-before-seen artwork, previously untold stories, and more in Titan’s new, extended edition. Readers are treated to sixteen additional pages of rarities, including additional storyboards from Production Designer Joe Alves, more behind-the-scenes photographs from the private collections of local crewmembers, and other great content from the making of the groundbreaking film.
Rare, Behind-the-Scenes Photos from the Making of ‘Jaws’
Tied to the movie’s 35th anniversary, “Jaws: The Inside Story” provides an exhaustive look at the summer blockbuster that turned Steven Spielberg into a brand name and rewrote the rules for summer movies. Drawn in part from an earlier doc, “The Shark Is Still Working,” as well as fresh interviews, it’s a fascinating account that could easily have had a few bites taken out of its two hours in the editing suite without losing much. Even so, fans will find much to feast upon, hearing from cast and crew in addition to inhaling rare clips from the difficult, five-month production. 〰 Variety
I definitely suggest to buy this documentary & Jaws (Universal 100th Anniversary) Blu-ray.
Source: flavorwire.com
