Walter Murch has been editing sound in Hollywood since starting on Francis Ford Coppola’s film The Rain People (1969). He edited sound on American Graffiti (1973) and The Godfather: Part II (1974), won his first Academy Award nomination for The Conversation (1974), won his first Oscar for Apocalypse Now (1979), and won an unprecedented double Oscar for sound and film editing for his work on The English Patient (1996). Most recently he helped reconstruct Touch of Evil (1958) to Orson Welles’ original notes, and edited The Talented Mr. Ripley (1999). Mr. Murch was, along with George Lucas and Francis Coppola, a founding member of northern California cinema. Mr. Murch has directed — Return to Oz (1985) — and longs to do so again, but as an editor and sound man he is one of the few universally acknowledged masters in his field. For his work on the film “Apocolypse Now”, Walter coined the term “Sound Designer”, and along with colleagues such as Ben Burtt, helped to elevate the art and impact of film sound to a new level.
Walter Murch Lectures, Articles, Books, Radio and TV Appearances
Previously on Cinephilia & Beyond:
- Walter Murch: Film Lecture (BAFTA)
- Worldizing: a sound design concept by Walter Murch
- Walter Murch about his career path
- An evening screening and discussion of Tarkovsky’s 1979 film STALKER, with Walter Murch
- Walter Murch: The ‘Rule of Six’ in Film Editing
- Walter Murch: ‘Three Fathers of Cinema’
46 Notes/ Hide
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You go Walter
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This is a great book. I highly recommend it.
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If anyone wants to buy me something… (Just saying)
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